Sign-Inventory 1, Week 3

Amaryllis
Ellen Bryant Voigt

Having been a farmer’s daughter
she didn’t want to be a farmer’s wife, didn’t want
the smell of ripe manure in all his clothes,
the corresponding flies in her kitchen,
a pail of slop below the sink,
a crate of baby chicks beside the stove, piping
beneath their bare lightbulb, cows calling at the gate
for him to come, cows standing in the chute
as he crops their horns with his long sharp shears.
So she nagged him toward a job in town;
so she sprang from the table, weeping, when he swore;
so, after supper, she sulks over her mending
as he unfolds his pearl pocketknife
to trim a callus on his palm.
Too much like her mother, he says, not knowing
any other reason why she spoils the children,
or why he comes in from the combine with his wrenches
to find potatoes boiled dry in their pot,
his wife in the parlor on the bench
at her oak piano—not playing
you understand, just sitting like a fern
in that formal room.
So much time to think,
these long hours: like her mother,
each night she goes to bed when her husband’s tired,
gets up when he gets up, and in between tries
not to move, listening to the sleep of this good man
who lies beside and over her. So much time alone,
since everything he knows is practical.
Just this morning, he plunged an icepick
into the bloated side of the cow unable to rise,
dying where it fell, its several stomachs having failed—
too full, he said, of sweet wet clover.

--This poem is only five sentences long.

--In the first stanza there is a repetition of alliteration like "cows calling" and "sharp shears".

--She uses the image of cows three times in the poem, though she uses the baby chicks only once.

--There is a suggestion that the speaker's mother did not appreciate the lifestyle of a farmer's wife as she is compared to her mother twice in the piece. 

--The speaker describes her husband as a good man, but then suggests that he sleeps "beside and over her," suggesting a role of male dominance in the relationship. 

--The speaker puts the words "didn't want" in the first stanza on the same line twice.

--The husband is often depicted with a tool or weapon of some sort: shears, pocketknife, and ice pick.

--The speaker puts a lot of emphasis on time, having use the phrase "so much time" twice in the same second stanza. 

--The poet ends both stanzas with images of plants-- a fern and sweet, wet clover.

--The formal room is described with the word "that" as opposed to "the" providing more emphasis or alienation to the room itself.